Languages of Theatre Shaped by Women
(eBook)

Book Cover
Average Rating
Published
Intellect Books Ltd, 2001.
Format
eBook
ISBN
9781841508788
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2001). Languages of Theatre Shaped by Women . Intellect Books Ltd.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2001. Languages of Theatre Shaped By Women. Intellect Books Ltd.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. Languages of Theatre Shaped By Women Intellect Books Ltd, 2001.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. Languages of Theatre Shaped By Women Intellect Books Ltd, 2001.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID0e842600-8f37-c573-4020-aa012e52dc98-eng
Full titlelanguages of theatre shaped by women
Authorauthors various
Grouping Categorybook
Last Update2024-03-06 19:20:09PM
Last Indexed2024-03-29 02:12:17AM

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First LoadedAug 10, 2023
Last UsedAug 12, 2023

Hoopla Extract Information

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    [synopsis] => Addressing issues of feminism and representation, this book provides a fresh and thorough consideration of the status and potential of Women's theatre today.The authors explore a range of different approaches to the languages of theatre, including translation and interpretation of the art form, along with languages, performance work, body language and gesture. Considered alongside the related social issues of race, class and dialect, the following questions emerge: • What is the role of language in theatre today? • Whose language is English; what other languages do women making theatre use? • What does it mean to write about, photograph and video live performance? • What is the future for women's theatre in an international context increasingly united by new technologies but divided by new issues of cultural diversity? Goodman and de Gay analysis covers issues that are central to current courses in Theatre and Performance and Women's Studies. They assess the forms which women as theatre-makers have chosen to explore in the age of new technology, and look at some of the different definitions of 'theory' offered by theatre-makers and critics including Caryl Churchill, Hélène Cixous, Luce Irigiray and Julia Kristeva.
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